In my recent keynotes I have frequently used variations on my Transformation of Business framework, which looks at how Technology Drivers and Social Drivers lead to a changed Business Landscape, and in turn New Drivers of Success.
The vast majority of my work over the years has been in the business sector, however I am increasingly being pulled into government and the public sector. As I spend more time in the government space, it is becoming increasingly evident to me that the public sector can lead fundamental positive structural shifts in society and the economy, making me keen to put more of my time and attention into this arena.
To help support a number of keynotes and other engagements in the public sector I have created The Transformation of Government Framework, as below. This was first shown this morning when I gave the opening keynote at the Institute of Public Administration NSW annual conference, and I will be using an adapted version for my keynote at the Local Government Association of Tasmania’s annual conference this Thursday, which celebrates their 100th anniversary.
The Transformation of Government framework (click on image for full-size pdf)
The framework is derived from The Transformation of Business framework that I created recently, as some of the driving forces are exactly the same across business and government, while other issues are expressed differently or have different prominence across the domains.
The framework is primarily intended to support my keynotes, workshops, and strategy sessions, though hopefully it will also be useful as a stand-alone to help frame fundamental issues around change in the government space. I will expand on and discuss these key themes in greater detail when I get an opportunity.
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Tomorrow morning I am giving the opening keynote at the annual conference of Institute of Public Affairs New South Wales, on the topic of The Transformation of Government.
Originally I was scheduled to follow the recently elected NSW Premier Barry O’Farrell, but he has had to travel to Beijing, so he will present at the conference after the morning break via Telepresence.
It is actually quite significant for an outsider like myself to be invited to speak at the event, let alone on a big picture view of a rapidly changing world. The title of the conference is The Future Course of Modern Government, mirroring an excellent policy paper of the same name created by IPAA a few months ago. I blogged about the 11 recommendations in the report, which are well worth a read if you don’t have the opportunity to read the entire paper.
The conference is intended to be a landmark event, several months since the NSW government changed after 16 years of Labor incumbency, and anticipating potentially dramatic change in how the state government functions in the years ahead. The themes of the conference – Technology, Innovation, Services Reform, Collaboration – are now squarely on the government’s agenda, and the reason I was invited to give the keynote.
Below is my Prezi presentation to support my keynote. I will shortly release the underlying framework as a pdf.
One of the biggest, broadest, most important trends of the last few decades has been how technology has democratized the tools of creation and production.
From early desktop publishing applications and screen-based sequencers in the 1980s, through to 3D printing of prototypes today, the production of professional quality output in just about every creative endeavor has become vastly easier and cheaper.
This MegaTrend of Creative Enablement means that it is no longer money or organizational resources that determine what creative people can achieve. It is simply their creativity, which can be fully expressed as never before without significant resources.
News just in that Elias Bizannes of Startup Bus fame is helping setting up Startup House, a 36,000 square foot space in San Francisco’s hopping SoMa district where entrepreneurs will live as well as run startups. There will be 150 desks in the lower floor, with upper levels including offices of the StartUp Bus and a number of international government agencies that want local launch pads for startups coming into the US. The intention is to run hackathons, startup weekends, and anything else that will support the local startup community.
TheNextWeb says that a group of the “Aussie mafia” (the Australian tech entrepreneur network in Silicon Valley) has bought the building and will take 6 months to transform it into this space. It notes that Plug and Play in Sunnyvale and Redwood City down the valley is bigger space-wise, but StartupHouse will probably be the biggest in San Francisco, and perhaps the biggest in the valley in a single building.
Here is a video from TheNextWeb being taken on a tour of the building – it’s an impressive space.
I have long believed that the evolution of man-machine interfaces is at the heart of our future. In Living Networks I described better Interfaces as one of the three fundamental shifts that are bringing the networks to life. For over a decade I have ranted about how the mouse is antediluvian technology for interacting with computers – a great leap forward at the time but something we should have long transcended.
Among the numerous blog posts I have written about the evolution of interfaces, in 2008 I wrote about how the user interface featured in the film ‘Minority Report’ had been created by John Underkoffler, who had designed the concept for the film.
Now Underkoffler’s company, Oblong Industries, has created the collaboration platform Mezzanine, shown below.
This morning I gave the keynote at the MyBiz Expo 2011, on Business Opportunities of the Future.
I had been interviewed for the cover story of February edition of MyBusiness magazine on which industries will prosper and shrink in the decade ahead. I shared some thoughts on the blurring boundaries of industries, and some specific ideas on what sectors to delve into and avoid (on which I’ll share more in a future post).
Below are the slides from my presentation, which include discussion of emerging business opportunities as well as a detailed view of my Success in a Connected World framework. As usual, be warned that the slides are not intended to stand alone but to provide visual support to my presentation.
When I posted a little while back about using an external keyboard with the iPad, I promised to share how I use the iPad for work.
When I bought the iPad I found it quite frustrating for a while in trying to use the iPad as I wanted, but I managed to work it out, and some of the elements that were missing at launch have been put in place. Here is what I have learned and how I use the iPad for work. I’m keen to hear what others have learned, as I’m sure there are plenty of other great tips.
1. External keyboard.
To my mind an iPad is of very limited use, almost a toy, without an external keyboard. I am sitting in an economy seat on an airplane right now, able to pull out my iPad and immediately write a blog post, respond to email, make notes in my to do list, or work on a client report. It is a fully functional work device. For more on this see my post The REAL transformative package: iPad plus wireless keyboard.
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Last Friday I was at the opening party for the Vivid Sydney festival, on East Circular Quay directly opposite the Opera House. The opening speeches concluded by triggering an absolutely awesome light show on the Opera House, called Lighting the Sails. The Opera House has been lit up for the last two festival, but this far transcends those. It was absolutely stunning. The projections will continue over the next two weeks of the festival.
A while ago I blogged about how amazing new 3D video projection can bring buildings to life, including some videos of great examples – well worth a look. In essence, the technologies used draw on a detailed 3D mapping of the building’s surface, enabling projections to take full advantage of the contours of the building.
The group selected to use the extraordinary canvas of the Opera House was French group SuperBien. It’s hard to imagine any video could do justice to the show. However here are few samplers. The first video is a teaser created by SuperBien before the event.
Teaser Vivid Festival 2011 à Sydney from SUPERBIEN on Vimeo.
I am at the launch of Digital Sydney, part of the Vivid Sydney and Creative Sydney festivals.
The reality is that for much of the last decade and more, the New South Wales government has been among the least supportive of the Australia states for the digital and creative industries, with in contrast Victoria, Queensland, and Tasmania in particular having considerably better developed initiatives to support these industries.
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